REVIEW: Rahiem Supreme – The Treacherous Charm (2020)

At times jazzy and smooth, at other times speaker-smashing sneaker-squeakin’ Electro, Rahiem Supreme’s 2020 release The Treacherous Charm has a little something for everybody. Part of the Washington DC-based rapper’s prolific pandemic streak of releases, The Treacherous Charm is sometimes humorous, always passionate.

Tracks on The Treacherous Charm are short, sweet, and end abruptly (upon first hearing them, somewhat jarringly). There’s a spontaneity to all of it which makes it feel fresh, a little raw. If you’re daunted by a 17-track album (c’mon now, it’s still only 30-something minutes), some standout tracks I recommend starting with include Shroomstories Freestyle (produced by Twelveam), Mewvsmewtwo (produced by Hvyarms), and the choppy glitch jam Futuristichybridpimp5000 (produced by Al Divino).

There’s a (forgive me) James Joyce quality to Rahiem Supreme’s dense lyrical imagery. Perhaps this is what had me immediately sending links to my Kool Keith loving friends. But Rahiem Supreme- the Grandmaster Splash- is in a surreal rap world of his own.

Pulling a quote from the introduction to The Man Wears Moschino: An Interview with Rahiem Supreme by Pete Tosiello:

”If there’s an element of escapism to Supreme’s verses—the funhouse mirror version of frequent collaborator Ankhlejohn’s dour, crime-infested underworld—they’re grounded by his autobiographical material which captures a rough-and-tumble mid-Atlantic childhood without self-pity or clean resolution.”

– Pete Tosiello, The Man Wears Moschino: An Interview with Rahiem Supreme

If anything written here piqued your interest, you’re in for a good time.

You can read Pete Tosiello’s interview with Rahiem Supreme over at Passion of The Weiss.

For fans of: Kool Keith, Lootpack, WunTwo

Like Rahiem Supreme? Give these a listen: Lunar C, Dr Zygote, Nostalgianoid

REVIEW: King Kashmere – Soul Calibur (2021)

He’s back!

Iguana Man is back with his first solo material since 2010’s Galaktus LP! He hasn’t been sleeping though. With projects like Strange U, Gawd Status, and features galore, Kashmere is seemingly busier than ever.

Work ethic not wasted. Kashmere has refined his sound over the past decade, and it shows on Soul Calibur. His delivery is stronger than ever and displays the calm control only an MC two decades deep could. Soul Calibur is a beautiful work of music and it makes me excited to listen to hip-hop again during a period of my life in which I’m too glum to get into much of anything.

Soul Calibur’s instrumentation was produced by Alecs DeLarge and brings the criminally smooth lounge sound. Vibraphones, flutes, snappy snares and kicks; it’s perfect. Watch the music video, then go cop this bad boy on Bandcamp or stream it on Spotify.

For fans of: Kool Keith, Strange U, Danny Brown

Like Kashmere? Give these a listen: Third Sight, Organized Konfusion, buddy.not.bud

REVIEW: Wun Two – The Fat EP (2012)

If you’re approaching the album for the first time, The Fat EP may not seem as fresh as it did in 2012. Since then, Wun Two’s previously signature lofi style has been copied ad nauseum. The hip-hop meets ambient sound of ‘lofi beats’ has become synonymous with low effort imposters and white guys shopping at Muji, but maybe that’s unfair.

At least lofi beat making had a lot to offer. It’s been accessible, easy listening in our modern age of anxiety. The Fat EP acts less as an album of songs and more as one larger ambient whole. Songs fade in and out, neatly cropping the vocal tracks being accompanied.

It’s 24 minutes of jazzy boom bap hip-hop, drenched in the fuzzy warmth of an old 45. Relatively subdued and nonabrasive in its sonic qualities, The Fat EP‘s hyper-repetitive beats lure the listener into a relaxed state. With nearly all focus on atmosphere and sonic aesthetics (tonal qualities), lofi beats stretch from their hip-hop roots towards ambient meditation.

So why Biggie? While his delivery is notoriously smooth, his lyrics may be the furthest thing from soothing. Biggie Smalls is front and center for the whole ride, yet The Fat EP couldn’t be less about him. We can run through the accreditation of Biggie Smalls, but that would be missing the point. The Fat EP is a delivery system for the sonic aesthetics and emotions Wun Two wishes to get across.

Most tracks on the album work as short interludes or sketches of sonic ideas. Remixes of Machine Gun Funk, Big Poppa, and Dead Wrong are all under 2 minutes. The vocal tracks of Big Poppa, Suicidal Thoughts, and Dead Wrong all appear twice with different backing tracks, yet feel fresh on their second run through.

Suicidal Thoughts is perhaps at its most emotionally potent in its first incarnation on the album, ‘suicidal.thoughts’. Losing all credibility with the hip-hop heads of my youth, I’ll go ahead and say this is my favorite version of Suicidal Thoughts to ever appear. Same goes for Party And Bullshit (party.n.bullshit), which would have made for a more emotionally potent closer than the weaker second incarnation of Suicidal Thoughts.

It’s everything you need from the lofi beat scene in one convenient package, sans boredom.

For fans of: People Under The Stairs, Madvillain, DJ Shadow

Like Wun Two? Give these a listen: Funky DL, Amerigo Gazaway, Jehst