REVIEW: ENTS – Demo (2012)

Screeching tension starts before you even know it. High-ended guitar comes across loud and, well, loud while drums and bass stab and punctuate underneath. Suddenly all stops as a lone note drones from the guitar. Then it happens, and before you know it opening track Chester Lampwick is over.

Over the course of the next 6 minutes, ENTS rarely repeats a chorus. They’re self defined as “flower violence,” a mix of emo and power violence, with traces of hardcore and screamo acts like Orchid, but like their power violence roots suggest, are incredibly raw and unpolished. Their entire discography, last added to with Live at The A-FRAME – 2/17/12, doesn’t fill 30 minutes, and it doesn’t need to. Much like their songs, nothing is ever around for long. Appreciate it while it’s there, and go grab the free download of Demo from their Bandcamp page.

For fans of: Orchid, Pageninetynine, Human Remains

Like ENTS? give these a listen: Busted Chops, Cheap Art, Nermal

REVIEW: Self Deconstruction – Virtue (2014)

This post originally appeared on the 10th Dentist blog on Friday, February 5th, 2021.

Japan has been the new frontier for Western metal audiences looking for something fresh.

Self Deconstruction’s chaotic punk microclipses and occasional 3/4 timing may bring a hint of familiarity for Rudimentary Peni fans, but its ultimate grindcore sensibilities make this a strong contender for any metal fan’s music collection.

Virtue presents a fully formed idea without succumbing to overindulgence. Each motif is given an equal sliver of time to present itself and exit stage left. This not even 5-minute album of near pure-aggression presents itself like a frenzied attack from a monster coming out of the bushes, rather than the hellscaped demonic journey common among American and European bands.

A distinction should be made to separate the term ‘raw’ from the often synonymously used (but quite different) ‘shitty’ sound worshiped among metal heads, edge lords, and the uninformed alike. No, this album is raw, and it serves its frenzied nature well. Well mixed, well recorded, Virtue’s fanciest production trick is its use of occasionally panned vocals. This album brings back memories of seeing south-eastern weirdo power-violence and grindcore bands in North Carolina, or of hearing Minor Threat 7”s, early Pig Destroyer, or Bad Brain’s Black Dot album for the first time.

For fans of: Pig Destroyer, Rudimentary Peni, Sete Star Sept

Like Self Deconstruction? Give these a listen: Ents, Flagitious Idiosyncrasy in the Dilapidation,Cheap Art

Want more Self Deconstruction? Check out this interview at Lixiviat Records!

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