REVIEW: Knitted Abyss – Bad Lassies (2019)

Bad Lassies is the 2019 debut album by Australian experimental pop duo Knitted Abyss. Members Lucy Phelan and Anna John bring an ambitious level of creativity to darkwave and post-punk that their ‘nu goth’ contemporaries (I won’t call them peers) fail to deliver. Bad Lassies‘s quirky eccentricities distance the band from their contemporaries’ dismal artistic stagnation, yet these quirks never feel gimmicky. No, Bad Lassies’s emotional delivery is only ever enhanced by the artistic choices made.

Album opener Attention is a minimal post-punk track reveling in its loneliness. Squelchy synth bass and light drum machine work give the band an almost early-80s Bananarama rhythm section, blanketed in the more morose qualities of gothic post-punk classics. From here things get darker, less pop oriented, but never losing a distinct sound established from the start.

Inspiration and stylistic elements are lifted and fitted together well without ever falling victim to pastiche. Elements of darkwave, post-punk, shoegaze and Ladytron-esque electronic pop are prevalent and well mixed together to create something new. Knitted Abyss dismisses the queue of bands lining up for ‘cool factor’ authenticity by creating something distinctly their own. Lucy Phelan and Anna John created a well-crafted album, and therefor don’t need to mold to any perceived idea of ‘how things should be’ within a genre.

For fans of: Crack Cloud, Waitresses, Crash Course in Science

Enjoy Knitted Abyss? Give these a listen: Casket Girls, Cold Choir, Tropic of Cancer

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